SayIt

  • Home
  • Speakers
  • Speeches

      2021-11-01 Interview with Kodansha

      • Audrey Tang
        Audrey Tang

        All right, let’s get started.

        Link in context Link
      • Interviewer
        Interviewer

        OK. We also have the author here, Hiroshi Ishizaki. He is the one listening with my video right now.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        OK.

        Link in context Link
      • Interviewer
        Interviewer

        I just wanted to let you know.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        OK.

        Link in context Link
      • Interviewer
        Interviewer

        The first question we want to ask, what your earliest memories and in what way you felt different from other kids?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        My earliest memory involves moving from the more central Taipei City, the Bade Road to the slightly more rural place, the Muzha part in Zhinan Road. It involves just moving stuff, change of scenery and so on.

        Link in context Link
      • Interviewer
        Interviewer

        What did you feel different from other kids? What did you noticed first of all?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Well, I know from the very beginning that I couldn’t make physical activities. If I exercise too much I may faint, but that’s not different from other kids. It’s different from everyone else that I know, so I don’t consciously make a difference between other kids and other adults in this regard.

        Link in context Link
      • Interviewer
        Interviewer

        Makes sense. Did you have a nickname as a child?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        I do, but I don’t know if it will work for a Japanese audience. You may improvise and just say, DoriDori or something.

        Link in context Link
      • (laughter)

        Link in context Link
      • Interviewer
        Interviewer

        Are there any things that you liked as a child that you continue to like as an adult?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        In addition to programming and mathematics?

        Link in context Link
      • Interviewer
        Interviewer

        Yeah, maybe. We’re trying to think of some a theme maybe we could use for a cover illustration, like a flower or an animal?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Something that’s easier to visualize, isn’t it?

        Link in context Link
      • Interviewer
        Interviewer

        Yeah, something simple like that if there’s something.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        I like Taoism. I steal quotes from Taoist scriptures. In my earliest memories, in the Mucha Street that I moved to, there’s this futon. It’s something that we sit on with this Tai Chi element on it, black and white with this spiraling design. Maybe you can design some Taoist things into it.

        Link in context Link
      • Interviewer
        Interviewer

        OK, we’ll take a look at that. We’re also hoping to read some of your poems, especially the ones you wrote as a young person.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Sure.

        Link in context Link
      • Interviewer
        Interviewer

        Could we possibly get those?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        I think Yaeko Kondō-san did translate one of the poems from my mother’s book, which did include many of my younger poems, to Japanese, actually. I would encourage you to get in touch with her to get that translation because I’ve proofread it. It’s probably one of the more reliable Japanese translations there is.

        Link in context Link
      • Interviewer
        Interviewer

        OK, great.

        Link in context Link
      • (Japanese)

        Link in context Link
      • Interviewer
        Interviewer

        Was it in one of the books then?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Yes. She’s, I think next week or something, publishing my mom’s book, the 《オードリー・タン 母の手記「成長戦争」》. I think it’s next week.

        Link in context Link
      • Interviewer
        Interviewer

        A new one?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        A new one, yeah.

        Link in context Link
      • Interviewer
        Interviewer

        We will have to talk to her then. Great, thank you.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Yeah. I think toward the end of that book, it includes the Japanese rendition of one of my poems, and in the original book that my mom wrote there’s several others.

        Link in context Link
      • (Japanese)

        Link in context Link
      • Interviewer
        Interviewer

        If there are any that haven’t been translated yet, he’s interested.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Yeah, sure. Just get a copy of my mom’s book. It’s originally published traditional in Chinese Mandarin. The names I’ve pasted on the chat and you probably can find it in, I don’t know, any of the public libraries in Taiwan, but I’m not sure in Japan. I don’t think it’s printed in Japan.

        Link in context Link
      • Interviewer
        Interviewer

        OK, then a question about during the time you were bullied which we know was a short time overall, but we wonder how you managed to overcome the frustration and any other hard emotions you had…

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Reading. I read a lot of books Piaget, Satir, Montessori. Trying to explain what’s happening in my classmates’ minds.

        Link in context Link
      • Interviewer
        Interviewer

        Did that actually help?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Yeah, of course. I come to understand it’s not about them. It’s the structural competition expectation they’re in.

        Link in context Link
      • Interviewer
        Interviewer

        I see. You are kind of able to forgive them in a way?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        It’s not really about forgiveness. More like figuring out a way to prevent something like that from happening again.

        Link in context Link
      • Interviewer
        Interviewer

        OK.

        Link in context Link
      • (Japanese)

        Link in context Link
      • Interviewer
        Interviewer

        About how old were you when you started to think about these ways of maybe preventing those things?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Eight years old.

        Link in context Link
      • Interviewer
        Interviewer

        Mm?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Eight.

        Link in context Link
      • Interviewer
        Interviewer

        Eight?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Uh huh. 1989.

        Link in context Link
      • Interviewer
        Interviewer

        OK. You say that when you have a different opinion from someone else, you should try to think of things from their perspective to empathize. Is it around also eight years old that you started doing this?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Yeah. I mean, you mentioned forgiveness, but forgiveness doesn’t mean that I can actually see things from their prospective. It only means that I agree not to look too hot [laughs] to the situation, but no. I think by empathizing was not only the classmate that bullies me, but also his parents and so on.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        I come to a fuller understanding of how to prevent something from happening again. That would not be possible without, so to speak, taking all sides.

        Link in context Link
      • Interviewer
        Interviewer

        When you returned to Taiwan from Germany for surgery, you said that just in case something went wrong, you wanted to die in Taiwan. Also, that you wanted to work on Taiwan’s education system and you…

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Had I lived, yes.

        Link in context Link
      • (laughter)

        Link in context Link
      • Interviewer
        Interviewer

        Yes. Very vague laugh and all that.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Not from beyond the grave.

        Link in context Link
      • (laughter)

        Link in context Link
      • Interviewer
        Interviewer

        Did you feel one of those things more strongly than the other or both?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        These two are mutually exclusive. I can’t do both. [laughs] There’s really no comparison. It’s plan A and plan B stuff.

        Link in context Link
      • Interviewer
        Interviewer

        Right.

        Link in context Link
      • (Japanese)

        Link in context Link
      • Interviewer
        Interviewer

        Was there anything in the education realm that you’d like to try doing?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Yeah, sure. Preventing structural individual to individual competition. When I was eight, I figured out that was the root problem.

        Link in context Link
      • Interviewer
        Interviewer

        Do you have ideas on how you might do that?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Certainly. When I was a teenager I helped my mom and my dad, later on, to work on the autonomous learning and experimental education systems.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Later on, my dad would work on one of the first community colleges. All these educational facilities are ones that are based on the autonomy interaction tool at common good instead of individual to individual ranking or competitions.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Our work eventually contributed to the change of the thinking of the basic education in Taiwan. That’s in, I think, 2019. This used to be experimental way of thinking about education became the basic education curriculum in Taiwan. I was also part of that curriculum committee.

        Link in context Link
      • Interviewer
        Interviewer

        Switching gears a little bit, you say you had two puberties or something like that. I understand as well. [laughs] We’re wondering when you first fell in love.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Once, during my first puberty and once, during my second puberty.

        Link in context Link
      • Interviewer
        Interviewer

        Nice. [laughs]

        Link in context Link
      • Audrey Tang
        Audrey Tang

        I mean, that’s what puberty does to people.

        Link in context Link
      • (laughter)

        Link in context Link
      • Interviewer
        Interviewer

        Is there anything else you can tell us about that?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        The years, it’s around 1995 and 2005, respectively.

        Link in context Link
      • Interviewer
        Interviewer

        1995 and 2005. OK. How old were you when you started feeling that your gender was different from the way people treated you?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        I’ve never felt that way.

        Link in context Link
      • Interviewer
        Interviewer

        How did you decide to…?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        I felt my gender are more similar to the people that I met. I don’t have this idea that half of the population is different from us. Actually, it’s only the cisgendered people that feel that other people are off somehow, half a population quite literally. As a non binary, everyone is similar to me.

        Link in context Link
      • Interviewer
        Interviewer

        That’s been your sense your whole life?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Yeah, definitely. In a sense, I think having gone through two puberties I can relate much more, regardless of whomever that I’m speaking with, their ideas about puberty, and so on.

        Link in context Link
      • Interviewer
        Interviewer

        I wanted to ask a little bit about the time you spent in Dubai, when you worked for Tim. We are wondering what kinds of things are on your mind, even on this trip?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        It’s more about working through the society expectations, like finishing school, having a career performing things like that. Vis a vis, the kind of culture that I learned from the Internet, which valued one’s values, as any things that we work toward, not the particular types, class roles, or gender, for that matter that we’re in.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Trying to work out how to bridge, or, at least, to work through those two acute cultures. These are the main things that was on my mind. As a direct result of working out that relationship afterwards, I decided to quit a public school for good.

        Link in context Link
      • Interviewer
        Interviewer

        Was there anything else that came out of that trip? How you felt afterwards?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        It’s mostly that I stopped saying things from either it’s my fault that the society doesn’t work the way I think it does, or it’s the society’s fault that it doesn’t work like the way that I expect it does. Rather, instead of treating this fault as assigning blame, I treat it as a crack in everything where the light comes in.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        I treated it as an invitation of sharing my unique perspectives on whatever societal system that I encountered as a kind of ambassador from the core Internet culture, to the everyday culture. As an ambassador is not about blaming anyone for cultural differences, it’s more about co creating new values that doesn’t leave anyone behind.

        Link in context Link
      • Interviewer
        Interviewer

        Yeah, that’s awesome. We read in one of the books about you, or one of them, that you spent time with an indigenous group of people

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Yeah. It was in the Atayal indigenous lands.

        Link in context Link
      • Interviewer
        Interviewer

        Were there any specific ways that they inspired you?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Yeah. They valued giving as one of the main status in their indigenous nation. Someone who is able to give, to care, take care of not just other fellow humans, but also animals and so on, are held in high esteem.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Whereas in the more capitalist influence to coach, before I went into the indigenous lands, where people are judged based on how much you own exclusively, the way that you can prevent other people from using your assets, so to speak, determines your worth.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Essentially a very different worldview because if you value giving more than hoarding, then you would naturally become a good cultural ambassador because it’s all about sharing your personal experience and so on. On the other hand, if you value the hoarding, you would instead apply for trademark, copyrights, patents, or whatever.

        Link in context Link
      • Interviewer
        Interviewer

        Gatekeeping.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        That’s right. Gatekeeping.

        Link in context Link
      • Interviewer
        Interviewer

        OK. That’s really interesting. I guess you mentioned the Leonard Cohen lyrics, the crack and everything coming in. How old were you when you first heard them? What was the context of your first meeting with them?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        It was quite late in the game. I think it was around 2010 sometime.

        Link in context Link
      • Interviewer
        Interviewer

        What did you think when you heard them?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        It cured my perfectionism.

        Link in context Link
      • (laughter)

        Link in context Link
      • Interviewer
        Interviewer

        Really? OK, wait. I need to cure mine, too.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Because it used to be that I wouldn’t publish anything until it’s at least like 90 percent quality and not for gatekeeping purposes, but just to preserve face or something. [laughs] I discovered that if I publish things that are flawless then, really, there’s not much that people can engage with me other than pressing “Like” or sharing.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        If I published something that’s only 10 percent on the way, then although people complain or criticize a lot — actually, that’s how I make friends — I don’t have to endure this deadline regime and things like that. Basically, I become much more inviting of other people’s criticism.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        If they point out something, that’s actually an improvement. I just say, “Yeah, is a great idea within how my idea, and then distinguish it from your idea or everyone else’s ideas.” Perfectionism, really is a symptom that we couldn’t find a sufficient amount of people that care about the same thing, on the same value.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        If you do, or if you get into this community co creation mindset, then making early mistakes is exactly how you solicit better responses.

        Link in context Link
      • Interviewer
        Interviewer

        That make sense.

        Link in context Link
      • (Japanese)

        Link in context Link
      • Interviewer
        Interviewer

        Are there any other songs that you may be found inspiration from in your teenage years…

        Link in context Link
      • Audrey Tang
        Audrey Tang

        In my teenage years, yeah.

        Link in context Link
      • Interviewer
        Interviewer

        …or anything that like that?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        I listened to this singer songwriter, who I valued a lot when I was a teenager, during my first puberty [laughs] and slightly before. You can probably find quite a few lyrics from this particular singer. Maybe we can correspond through email, which verse that you would like to highlight.

        Link in context Link
      • Interviewer
        Interviewer

        OK. Are there any other instances of either really tough times, or hopeful times that you think kids would either identify with, or learn something from, or just any other?

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Yeah. I think I’ve told the story of me approaching the head of my middle school, trying to figure out a way to convince her that I can spend 16 hours a day, not just 8 hours after school, on research. I also planned this plan A, plan B, plan C, based on the kind of rejections that I will inevitably get from her.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        To my surprise, she didn’t say anything. She just looked at the email and said, “OK, tomorrow, you don’t have to go to my school anymore. I’ll cover for you.” The moral of the story here is, don’t be afraid of approaching the institution or establishment so to speak.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Institution establishment, it’s just one of the possible configurations. The people working in it even head of school enjoy much more pluralistic opportunities, possibilities and so on in their head probably already. It’s just that they wouldn’t say it to the entire school.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Basically, if you can get into a mindset that optimizes this approach of creative innovation, as in let’s make something new instead of let’s write off something that’s existing there, then it’s always possible that people there, even if they represent the so called establishment, are in it with you.

        Link in context Link
      • (Japanese)

        Link in context Link
      • Interviewer
        Interviewer

        [laughs] You want to make him nervous.

        Link in context Link
      • (Japanese)

        Link in context Link
      • Interviewer
        Interviewer

        They’re wondering if you still play the card game that you became a champion of.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        I mentioned The Gathering. Not really, I don’t have time to play that anymore…

        Link in context Link
      • (laughter)

        Link in context Link
      • Audrey Tang
        Audrey Tang

        …but I still enjoy card games in email correspondence with the game’s inventor, Richard Garfield. We talk about the video games we both enjoy, like Hades.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        He recommended me to look at, I think, Monster Train, one of the card games on PC. I also play it a little bit. Also, KeyForge, I think that was his latest creation, but not professionally anymore. I have a job, you see.

        Link in context Link
      • (laughter)

        Link in context Link
      • (Japanese)

        Link in context Link
      • Interviewer
        Interviewer

        The author likes the game a lot, so he was curious about it.

        Link in context Link
      • (laughter)

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Definitely. I can still play MtG. The next time I visit Japan, we can, I don’t know, play around or something.

        Link in context Link
      • (laughter)

        Link in context Link
      • (Japanese)

        Link in context Link
      • Interviewer
        Interviewer

        He says, basically, this book is going to be for kids in Japan. We’re hoping that kids who maybe feel different from other people or some isolation, somehow will read it, and if you have anything that you think would be good to tell them, they would love to hear it.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Maybe just the “titling.” There’s a crack in everything, and that’s how the light gets in.

        Link in context Link
      • Interviewer
        Interviewer

        I’m trying to think of a light inside cracks. [laughs] OK.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        No, light through the cracks, but yes.

        Link in context Link
      • (laughter)

        Link in context Link
      • (Japanese)

        Link in context Link
      • Interviewer
        Interviewer

        Yesterday, we just had an election in Japan and probably the turnout was pretty low, especially among the young people. He’s wondering if you have anything, especially an idea to encourage young people in Taiwan to vote.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        To vote?

        Link in context Link
      • Interviewer
        Interviewer

        Mm hmm.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Well, vote more, I guess. More voting.

        Link in context Link
      • (laughter)

        Link in context Link
      • Audrey Tang
        Audrey Tang

        It’s not once every year or every two or four years, but rather once every day or something through the citizens’ initiative website. Join the g0v.tw and through the “Let’s Talk Campaign.” In Taiwan, there’s literally dozens of foreign, those online face to face for young people to choose from, to participate in real agenda setting for our democracy.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        At this moment, more than one quarter of citizens’ initiatives on the joined platform were from people younger than 18. So, if they see doubts, they can actually determine the future of the agenda.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        For example, this year is about mental health. People hold Let’s Talk workshops simultaneously, to explore various aspects of realizing a better mental health regime to take care of each other in Taiwan.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        I think people do feel empowered because they can start such a forum. There will be ministry appointment to point responses, so when outside of the election and referendum cycles, they can participate, as I mentioned, every weekend.

        Link in context Link
      • (Japanese)

        Link in context Link
      • Interviewer
        Interviewer

        Thank you for answering all these questions for us. He’s hoping that maybe you’ll be able to share pictures from your childhood or teenage years. I know that would…

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Yeah, there’s plenty of documentaries from that era, but I don’t think I hold a copyright. It’s the individual televisions and so on. Whatever I had, I think I’ve uploaded to the national — what cultural memory memory bank.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        I’ll paste the link to you here, and then maybe you can just choose part of it. It’s all a Creative Commons Zero, as in relinquishing all copyrights. You can freely use it without even attribution. I think that’s easier if you’re working to publish multiple media and so on.

        Link in context Link
      • Interviewer
        Interviewer

        Great. Thank you very much.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Sure, no worries. Let me just very quickly find out to you. I think it’s here.

        Link in context Link
      • (typing)

        Link in context Link
      • Audrey Tang
        Audrey Tang

        There’s also plenty from my dad, actually. I just discovered that. [laughs] The websites called memory.culture.tw. Here are the materials that I just pasted on the omnism chat. It’s a slideshow of sorts, and you can download with it.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        The first one was when I was, I don’t know, 14. That was the science fair. Then, the next one when I was, I don’t know, seven or something. You can look at your ledger.

        Link in context Link
      • Interviewer
        Interviewer

        Awesome. Thanks. That’s really helpful.

        Link in context Link
      • (Japanese)

        Link in context Link
      • Interviewer
        Interviewer

        Just a moment, please.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Sure.

        Link in context Link
      • (pause)

        Link in context Link
      • Interviewer
        Interviewer

        OK, thank you for everything.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Works for your purpose?

        Link in context Link
      • Interviewer
        Interviewer

        Yeah.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Excellent.

        Link in context Link
      • Interviewer
        Interviewer

        Thanks a lot for coming, and be in touch.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Sure, we’ll be in touch, and thank you for their really good questions. We will also prepare a transcript for you.

        Link in context Link
      • Interviewer
        Interviewer

        Awesome. Thank you.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Cheers.

        Link in context Link
      • Interviewer
        Interviewer

        Bye.

        Link in context Link
      • Audrey Tang
        Audrey Tang

        Bye.

        Link in context Link

      本站由 唐鳳 與 唐宗浩 共同維運,除另有標示外,內容以創用 CC0 授權條款釋出
      This site is co-maintained by Audrey Tang and Bestian Tang. Unless otherwise indicated, the content is released under the terms of the Creative Commons CC0 license.