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2020-02-23 Interview with Ima Sanchís

  • Ima Sanchís

    How old are you?

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  • Audrey Tang

    38.

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  • Ima Sanchís

    Were you born in Taiwan?

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  • Audrey Tang

    I’m born in Taipei City.

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  • Ima Sanchís

    …in Taiwan. Where do you live?

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  • Audrey Tang

    On the Internet.

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  • Ima Sanchís

    …on the Internet.

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  • (laughter)

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  • Ima Sanchís

    You’re currently the Minister of Digital of Taiwan.

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  • Audrey Tang

    Yes, since October 2016.

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  • Ima Sanchís

    Are you happy?

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  • Audrey Tang

    Yes, I’m very happy.

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  • (laughter)

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  • Audrey Tang

    I just had a video conference this afternoon with my mother, who is a journalist.

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  • Audrey Tang

    She said that this is the most happy foreign mission that I have done in the past four years that she has seen because this time, I travel by myself in my individual capacity, not with a entourage of consulate people. [laughs]

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  • Ima Sanchís

    Do you live alone?

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  • Audrey Tang

    Yes.

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  • Audrey Tang

    I live in this dormitory, [laughs] a large building.

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  • Audrey Tang

    16 floor. This is a large building where all the ministers, whether they’re in the legislative, the judiciary, the collective, the examination, or the administration, all live in the same community building. In a sense I live alone but, in another sense, I live with all the other ministers.

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  • Ima Sanchís

    Your parents were in the Tiananmen revolution.

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  • Audrey Tang

    My dad was there until the 1st of June in 1989.

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  • Audrey Tang

    ‘89, and he covered the Tiananmen protest until the very last week.

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  • Ima Sanchís

    Were you there in the square?

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  • Audrey Tang

    No, I was too young to travel. [laughs] I was eight years old.

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  • Ima Sanchís

    What do you remember of that time?

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  • Audrey Tang

    I remember my dad sending me the facsimiles, the fax machines, which is the first application of digital photography at the time. I remember viewing on television these new ideas of digital photography that was transmitted through phone lines for the first time.

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  • Audrey Tang

    I think Kodak just invented that idea of a camera transmitting a photographic image through telephone lines at that year. That’s how we get, for example, the Techman coverage from the Tiananmen Square.

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  • Audrey Tang

    Later on my dad also went to Berlin, when the Wall fell. I remember him sending me a small plastic bag and with it a part of the Berlin Wall that broke. It was a very happening year.

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  • Ima Sanchís

    You said a week after that your father went to Berlin?

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  • Audrey Tang

    No, no, it’s the same year. Later that year.

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  • Ima Sanchís

    If you can just speak phrase by phrase, and then I can translate that part?

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  • Audrey Tang

    OK.

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  • Ima Sanchís

    Speak a little bit slower, please. [laughs]

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  • Audrey Tang

    OK, sorry. [laughs]

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  • Ima Sanchís

    It’s OK.

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  • Audrey Tang

    I remember that my father went to Beijing to cover the Tiananmen protest. I remember him coming back on the 1st of June and looking very troubled, and also with him a lot of footage.

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  • Audrey Tang

    I also remember him going to Germany to also study for his PhD thesis. That’s what bring us as his family to Germany to live for a year when he do his PhD on Tiananmen.

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  • Ima Sanchís

    You all went to Berlin?

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  • Audrey Tang

    Yes.

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  • Audrey Tang

    No. My dad was in Berlin in ‘91. We went to Germany, not Berlin. We went to Saarland, near the French border on the south of Germany, bordering on France at ‘92. My dad went to by himself first, and then we joined him for a year in ‘92.

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  • Ima Sanchís

    Briefly, what is your political ideology, feeling?

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  • Audrey Tang

    My political feeling.

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  • Ima Sanchís

    What is your political feeling? Where do you situate yourself politically? What do you think has to be done? Not specifically who you want to vote.

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  • Ima Sanchís

    What do you defend? What are your beliefs? What is your political sentiment?

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  • Audrey Tang

    I call myself a poetician, meaning that I mostly write poetry, not manifesto.

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  • Audrey Tang

    Poetic, it’s hard to translate. [laughs]

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  • Audrey Tang

    For example, I wrote this very short lines saying that swirling ocean and beautiful islands in a transcultural republic of citizens, and that in poetic form is roughly my sentiment, what I’m working in the poetic for.

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  • Ima Sanchís

    She believes that you defend that the citizen should intervene or participate in the politics.

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  • Audrey Tang

    Citizens are always participating in the politics one way or another. What I am trying to make is that I’m more like a channel between the top down political institution and more peer to peer social sector, making sure that we can, like a building have vertical component and horizontal component, so that they support each other rather than cancel each other.

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  • Audrey Tang

    The institutions tend to be vertical, but the social sector tend to be horizontal and peer to peer. My work is to build mechanisms that make them support each other.

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  • Audrey Tang

    The social sector.

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  • Ima Sanchís

    You’re talking about just a more horizontal type of way of doing politics?

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  • Audrey Tang

    I’m talking about building horizontal links between the vertical institution. I’m not talking about replacing those vertical structure with horizontal ones. I’m talking about building horizontal structures on top of the vertical ones.

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  • Ima Sanchís

    Between a horizontal structure and a vertical structure?

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  • Audrey Tang

    Yes.

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  • Ima Sanchís

    Do you have any spiritual belief or religious belief?

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  • Audrey Tang

    I believe in the power of believing. I have the faith in having faith.

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  • Ima Sanchís

    At six years old, you read the classics in different languages. What idea moved you, overpowered you, or most influenced you?

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  • Audrey Tang

    A lot of my feeling is shaped around the writings of early Daoist.

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  • Audrey Tang

    I’ll use one example. It’s very simple language that a six year old understands.

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  • Ima Sanchís

    [laughs]

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  • Audrey Tang

    For example, there’s a verse that said 30 spoke meet in the harbor and that form a wheel, where the wheel is not as empty. It’s where it is useful and like hollowed out, the clay make a pot. It’s empty, but where the pot is not is where it’s useful. The use of what is is in the what isn’t.

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  • Audrey Tang

    For example, we cut the existing structures but we make windows and we make rooms out of these spaces. Where the room is not, there is room for us. The emptiness, the space is actually where the possibility is, and the structure is just there to support the empty space.

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  • Ima Sanchís

    [laughs] This is what, at six years old, you thought with your small mind?

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  • Audrey Tang

    Yes. It makes a lot of sense. The room is full of emptiness, and because of emptiness, it’s like a blank canvas and we can all paint on it. It’s very intuitive for a six years old.

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  • Ima Sanchís

    How was childhood for you? How did your childhood friends see you? What was this experience like?

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  • Audrey Tang

    I remember, because I have a heart defect that I did a surgery at 12.

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  • Audrey Tang

    Before 12, I cannot get upset, nor can I be too happy about anything, because when my heart beats too quickly, I faint.

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  • Audrey Tang

    That’s why a lot of my friends think when I was a young child, I seem more mature than my age because there’s a survival skill that tells me to start deep breathing whenever I feel too joyful or too angry.

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  • Ima Sanchís

    How did you feel?

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  • Audrey Tang

    First of all, I feel that I’m more at home, more equal, with people who share the same curiosity about knowledge, about society, or about each other. I never felt motivated by scores, by the extrinsic measures, by reward, or whatever, social status because, for me, while other people may feel very happy about it, I cannot feel very happy about it.

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  • Audrey Tang

    Nothing external can motivate me that much.

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  • Ima Sanchís

    When you talk about external values, what specifically are you talking about? Norms.

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  • Audrey Tang

    I’m talking about, for example, having a good grade, like having A++ or something.

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  • Ima Sanchís

    How did you feel? You felt?

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  • Audrey Tang

    I felt curious. I was having a lot of questions about how people behaved, the way they behave, about why society is structured the way the society is structured. I feel full of puzzles, full of questions, and full of curiosity. That’s my main feeling as a six year old.

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  • Ima Sanchís

    At eight years, you learned how to program by yourself.

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  • Audrey Tang

    While reading a book.

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  • Ima Sanchís

    Why did you choose this among all the other things that you had at your best, in your reach?

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  • Audrey Tang

    No, I learned many other things, too, when I was eight years old.

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  • Audrey Tang

    I think around the same time, I learned, for example, how to play a piano and how to make music on a notation.

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  • Audrey Tang

    To me, programming is just like making music. It’s just the notes are logic and the melody is human interaction.

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  • Audrey Tang

    The melody is human interaction.

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  • Ima Sanchís

    You were specifically interested in this type of language, programming language?

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  • Audrey Tang

    I wouldn’t say so because, to me, it’s just mathematics. It’s the same as the language that mathematicians use. It’s just that computers can automate the calculation, because I really don’t like doing the calculations by hand. [laughs] Having something that does the calculation for me is very useful.

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  • Ima Sanchís

    For you, it was a waste of time to calculate?

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  • Audrey Tang

    Yeah, because I can make all the calculation I want, but the computer can free my time to be more creative. When I’m calculating, I don’t feel creative at all.

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  • Ima Sanchís

    At 19 years old, you worked in Silicon Valley?

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  • Audrey Tang

    Yeah, but for just about a year.

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  • Ima Sanchís

    How did you see it?

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  • Ima Sanchís

    What did it mean to you?

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  • Audrey Tang

    At that time, it’s right after the dot com crash. During the dot com boom, I also helped to run startups in Taiwan that get investment from Intel to build CoolBid, the first eBay-like auction sites in Taiwan.

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  • Audrey Tang

    It was the first eBay like auction website in Taiwan, and it got a lot of investment from Intel and so on.

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  • Audrey Tang

    To me, I already had this three year of roller coaster of being a dot com entrepreneur. In Silicon Valley, that was when the open source movement is just beginning when I was in Silicon Valley. I started to learn about what we will now call social entrepreneurship.

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  • Audrey Tang

    That was when open source was beginning.

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  • Audrey Tang

    That’s how I learned this idea of open source, which is a way of combining the social rights, the social freedom movement, social justice movement, and entrepreneurship together, so using market power but also to further the social value. That’s when I start to learn about social entrepreneurship.

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  • Ima Sanchís

    How did you live your adolescence? What was most important to you?

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  • Ima Sanchís

    Did you have friends? Were you much more of a person who liked to be alone? What happened during that time?

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  • Audrey Tang

    I had two adolescence, a male one and a female. Which one are you referring to?

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  • Ima Sanchís

    Like Orlando.

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  • Ima Sanchís

    Which one was the first one?

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  • Audrey Tang

    The first one, when I was 14 or 15 years old, the male adolescence. I was just engulfed in the dot com boom. Running this startup with my friends, and many of them 10 years my senior. Most of them in the LGBTIQA+ community. That was mostly about chasing this ideal of the Internet sets everybody free.

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  • Audrey Tang

    We don’t need intermediary anymore, everybody can buy, auction, and sell anything, anywhere to anyone.

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  • Audrey Tang

    10 years later in my other adolescence…

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  • Audrey Tang

    …at that time, it’s more about moving across the globe. When I was having my transgender journey, I traveled to more than 14 countries, more than 20 cities, and with this very international tribe of people in open source, trying to build a language together, a new programming language together.

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  • Audrey Tang

    I remember just a very transcultural view of my new identity very different from Sao Paulo to Vancouver to, I don’t know, Copenhagen, to Helsinki, and so on. It’s a very transcultural development for me, those two years.

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  • Audrey Tang

    Taiwan and Tel Aviv, Sao Paulo, all across different continent, Tallinn.

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  • Ima Sanchís

    When you talk about your community, who are you talking about?

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  • Audrey Tang

    I’m talking about anyone who relinquish, who donate all or part of their copyright so that everybody can build upon their work. Together, it’s called an open innovation community. Within it, there’s open source, open hardware, open data, open government, and so on.

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  • Audrey Tang

    Open hardware, open source software, open access for academic papers, open content, open, I don’t know, and many other, open data, and so on.

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  • Audrey Tang

    The copyright.

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  • Ima Sanchís

    No, there’s no copyright.

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  • Audrey Tang

    So some of us, like me, we relinquish all of copyright.

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  • Audrey Tang

    Some of us, like Wikipedia, says that we only share the copyright to other people who also share their copyright. This is called copyleft.

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  • Ima Sanchís

    It was two years of travel?

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  • Audrey Tang

    Mm hmm.

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  • Ima Sanchís

    What essential thing did you discover?

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  • Ima Sanchís

    Beyond open code, what did you discover?

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  • Audrey Tang

    It’s hard to describe in English.

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  • Audrey Tang

    There is an African word called Ubuntu.

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  • Audrey Tang

    Ubuntu means roughly that we only become ourselves by making the entire community complete themselves through our contribution to the community. There’s no self actualization without community collaboration.

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  • Ima Sanchís

    This is what you discovered in these years of travel?

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  • Audrey Tang

    Yes. It means Ubuntu is transcultural, meaning that everywhere on Earth, I find the same emphasis on Ubuntu.

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  • Angélica Guevara

    All is one.

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  • Audrey Tang

    Hmm?

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  • Angélica Guevara

    All is one.

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  • Audrey Tang

    All is one. Yes, we are reincarnations of each other.

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  • Audrey Tang

    Reincarnations of each other.

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  • Angélica Guevara

    What is your reincarnation?

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  • Audrey Tang

    You. [laughs] That’s the idea.

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  • Angélica Guevara

    Where are you from? Not in this world, where are you from?

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  • Audrey Tang

    You mean like the idea…

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  • Angélica Guevara

    The galaxy.

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  • Audrey Tang

    The galaxy?

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  • Angélica Guevara

    Yeah. What is your dimension?

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  • Audrey Tang

    Back when I was visiting Addis Ababa, I was saying that we’re coming from the same ancestry as Lucy, who walked out of Africa. I think it’s important to realize that the idea of Ubuntu is not limited to human beings because Lucy, strictly speaking, is not Homo sapiens. She’s maybe Homo erectus or something, a species already quite distance from the modern Homo sapiens.

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  • Audrey Tang

    Just like that, we are the stewards for the next sapient life forms on the galaxy. Maybe we’re like Lucy, [laughs] in a sense, that we’re preparing us and preparing the galaxy really for new life forms and new sentiences in the future.

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  • Ima Sanchís

    What do you think we are going to be?

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  • Audrey Tang

    Whatever we want to be.

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  • Audrey Tang

    The idea of this whole Digital Future Society thing is that there’s a plurality of futures.

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  • Audrey Tang

    If we keep it plural, we don’t need to choose between the visions about singularity, which is always about reducing possibility, like a inevitable linear future.

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  • Audrey Tang

    Rather, we can focus our energy on making sure that the plurality that is already here gets conserved and indeed amplified with digital technology. That’s what I mean by bringing digital to the society rather than asking society to conform to the digital.

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  • Ima Sanchís

    I don’t understand… The technology comes to us, but don’t we create technology?

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  • Audrey Tang

    If we create technology and then immediately give away the monopoly of so-called intellectual property… then any culture can appropriate this technology in whichever way that feels appropriate to that community.

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  • Ima Sanchís

    If they don’t have intellectual property.

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  • Audrey Tang

    If the creators agree to give away, to share the…

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  • Audrey Tang

    If we design our technology for people, that means we decide for people.

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  • Audrey Tang

    If we design with people, that means that people take the technology to the appropriate use.

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  • Ima Sanchís

    This is what you’re trying to do in Taiwan?

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  • Audrey Tang

    That’s just what people in Taiwan are trying to do, and mostly writing poetry. [laughs]

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  • Audrey Tang

    I’m just writing poems.

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  • Angélica Guevara

    When we see. This the portrait?

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  • Audrey Tang

    This is my job description.

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  • Ima Sanchís

    When we see Internet of Things…

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  • Audrey Tang

    You can’t translate that.

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  • Ima Sanchís

    And the photo?

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  • Audrey Tang

    Yes. If you go to my Twitter, it’s pinned on my Twitter. [laughs]

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  • Audrey Tang

    You can, of course, take a photo.

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  • Ima Sanchís

    This is called the technological prayer?

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  • Audrey Tang

    Yeah. This is my prayer and also…

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  • Angélica Guevara

    This is your prayer?

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  • Audrey Tang

    Yeah, and also a job description. This is what digital minister means.

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  • Ima Sanchís

    This prayer started…

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  • Ima Sanchís

    This started with the Sunflower Revolution?

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  • Audrey Tang

    Yeah. The Sunflower Revolution is one very visible demonstration that puts everybody’s awareness of new possibilities. It’s a demo, a demonstration.

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  • Audrey Tang

    It’s a demo, like showing something possible.

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  • Ima Sanchís

    You were there?

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  • Audrey Tang

    Yeah, I was there the night before they broke into the parliament. I was there to support the live streaming.

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  • Ima Sanchís

    What did you experience? What did happened? What happened to you in your inner being, in your heart?

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  • Audrey Tang

    I read about Occupy Wall Street, and I read Manuel Castells who did a lot of papers about occupy movement, so I know intellectually about how to run a occupy.

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  • Audrey Tang

    When the occupy actually happened, I discovered mostly what people really want is a garden that is thousands of miles away, but people still want to care about the sunflowers, the plants in the garden because they really want to make a difference.

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  • Audrey Tang

    Anything that can make them know for sure what is happening, like episteme, knowledge, of what is happening in the occupied parliament, as well as ways for them to share their support and distribute their support is welcomed by everybody.

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  • Audrey Tang

    It is less about the occupy, but rather about the gardening the entire society is doing for the occupied movement, the occupied parliament. It’s less about the occupiers. It’s more about this space. It’s like a garden that everybody can watch through live stream.

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  • Ima Sanchís

    I’m having trouble understanding.

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  • Audrey Tang

    All the research papers talk about the people who occupy.

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  • Audrey Tang

    It’s not about the people.

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  • Audrey Tang

    It’s about the space, the occupied parliament.

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  • Audrey Tang

    It’s like a garden with new seeds of new plants.

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  • Audrey Tang

    The entire society, half a million people on the street, many more online, want to help gardening this new possibility.

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  • Audrey Tang

    It’s our feeling that the more transparent we make the space for everyone, the more participatory it is the space for everyone, the more legitimate this entire movement become day by day.

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  • Ima Sanchís

    The last part, I’m sorry?

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  • Audrey Tang

    The more participatory and transparent it is, the more legitimate the movement is day by day.

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  • Audrey Tang

    After three weeks, all our demand were accepted by the head of parliament. It’s one of the rear occupy that is victorious.

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  • Ima Sanchís

    What you’re saying is that this is not about social movements, about more transparency, this is about a garden? Or, is this garden a metaphor or a symbol?

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  • Audrey Tang

    It’s both a reality in a sense that it is really a physical space that people really want to know every minute what is happening in it.

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  • Audrey Tang

    It is, of course, also a metaphor because every mayor candidate at the end of 2014, if they don’t support open government, they lose mayoral election. If they do, they win sometimes surprisingly.

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  • Ima Sanchís

    When you’re talking about the garden?

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  • Audrey Tang

    No, I’m talking about gardening, like taking care of a space collectively.

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  • Audrey Tang

    You can call it a stewardship or something. It doesn’t change.

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  • Audrey Tang

    I guess if you want to get academic, I can talk about collective stewardship, care, and responsibility, but the gardening is easier to understand.

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  • Audrey Tang

    Stewardship and care.

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  • Ima Sanchís

    Stewardship?

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  • Angélica Guevara

    Many variance.

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  • Audrey Tang

    The point is that everybody feel that they can make a difference. They feel that their efforts add to each other, rather than fight against each other when taking care of a space collectively. You see that online in Wikipedia. In occupy the parliament, this is the first time I feel a physical space have the same property as Wikipedia.

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  • Ima Sanchís

    What you’re talking about is live streaming, what’s happening in Parliament?

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  • Audrey Tang

    Mm hmm.

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  • Ima Sanchís

    The physical space is Parliament.

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  • Audrey Tang

    It’s occupied.

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  • Ima Sanchís

    It’s occupied by…

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  • Audrey Tang

    By the people.

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  • Ima Sanchís

    By the people. What does occupied mean in this case?

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  • Audrey Tang

    It means that anyone who want to talk about the Cross Strait Service and Trade Agreement with Beijing, which is something the MP at the time refused to deliberate. The MPs who are elected are on strike. The people have to do their job ourselves. That’s the theory anyway.

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  • Audrey Tang

    It was an agreement.

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  • Audrey Tang

    Yeah.

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  • Audrey Tang

    Anyone can get to the Parliament and share their view. There’s 20 different NGO running 20 different corners, each one talking about one aspect of the Cross Strait Service and Trade Agreement.

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  • Audrey Tang

    That’s the gardening, yeah.

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  • Ima Sanchís

    It’s very important for you…

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  • Ima Sanchís

    One of your priorities is sustainability.

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  • Audrey Tang

    The sustainable goals, of course, is the language with which we express our work.

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  • Ima Sanchís

    How do these two worlds converge, the digital and the natural, for you?

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  • Ima Sanchís

    These plants, these animals, these creatures, how do…?

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  • Ima Sanchís

    Yeah. How do these concrete things meet with the digital?

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  • Audrey Tang

    For me, for example, the highlight, the focus of the year for Taiwan…

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  • Audrey Tang

    …is on climate action…

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  • Audrey Tang

    …and life underwater.

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  • Audrey Tang

    13 and 14 of the 17.

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  • Audrey Tang

    The digital…

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  • Audrey Tang

    …is about making the climate and life below water, which usually do not have a voice or a vote in a democracy…

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  • Audrey Tang

    …to give them…

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  • Audrey Tang

    …a equal voice…

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  • Audrey Tang

    …so that the society can recognize, for example, the highest mountain in Taiwan, almost 4,000 meters high, is called Sylvia by the indigenous people.

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  • Audrey Tang

    …Sylvia by the indigenous people.

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  • Audrey Tang

    They believe that it is a living spirit. It talks to them. It guides their vision of the community, and they can have real conversation with the mountain.

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  • Audrey Tang

    We lost that when we shifted to representational democracy.

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  • Audrey Tang

    Because, certainly, the mountain doesn’t vote.

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  • Audrey Tang

    Through digital, we can use reliable data and a cross sectoral partnership to establish things like a natural personhood to give the mountains, rivers, and so on, seats at a table using digital avatars.

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  • Audrey Tang

    Very concretely, like in New Zealand…

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  • Audrey Tang

    Yeah. In New Zealand, the Whanganui River is a legal person.

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  • Audrey Tang

    The river can sit on a board of a company.

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  • Angélica Guevara

    A spirit, it’s a spirit.

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  • Audrey Tang

    The river can sue for damage.

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  • Audrey Tang

    They do so by its speakers enabled by the digital data that is accountable, and everybody see what really is the health of the river and so on, so that the speakers can speak with the spirit of the river.

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  • (laughter)

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  • Ima Sanchís

    What else?

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  • (laughter)

    Link in context Link
  • Ima Sanchís

    What is for your essential?

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  • Audrey Tang

    As a digital minister, for me what is essential…

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  • Audrey Tang

    …is that I stay a lower case minister.

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  • Audrey Tang

    Meaning that I preach about digital…

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  • Audrey Tang

    …like a minister of a church…

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  • Audrey Tang

    …and instead of dictating anything.

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  • Audrey Tang

    That’s essential to me.

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  • Angélica Guevara

    You want to share.

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  • Audrey Tang

    I want to show possibilities without taking them away from people in the name of progress.

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  • Audrey Tang

    I want to conserve all the different cultures so that they show different futures, different possibilities. I don’t want to take away their different possibilities in the name of progress for a particular culture.

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  • Ima Sanchís

    What can we do with this whole dark side of the Internet, the lies, how they can replace government with lies, Trump with elections? Fake news.

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  • Audrey Tang

    In Taiwan, we say disinformation.

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  • Audrey Tang

    Which means intentional and truth that harm the public.

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  • Audrey Tang

    That harm the public. Not a minister’s image.

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  • Audrey Tang

    That harm the public, because it’s not about the government minister’s image. If you harm a government minister’s image, you are just doing good journalism.

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  • (laughter)

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  • Audrey Tang

    Harming the public health and harming democracy, that is another matter.

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  • Ima Sanchís

    Sorry?

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  • Audrey Tang

    That’s another matter. It’s…

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  • Audrey Tang

    You’re right. What we have found is that if we make humor a fun response…

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  • Audrey Tang

    …like there was a rumor that says…

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  • Ima Sanchís

    Humor or rumor?

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  • Audrey Tang

    We counter rumor with humor.

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  • Audrey Tang

    There was a rumor that says, “Perming your hair many times a week will be subject to a $1 million fine.”

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  • Audrey Tang

    Within an hour, our prime minister spread this image.

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  • Audrey Tang

    This image says, “This rumor is not true.”

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  • Audrey Tang

    A young photo of the prime minister says, “I may be bald now, but I will not punish people with hair.”

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  • Audrey Tang

    In a small fine print that says, “What we’ve done is introducing a label requirement for hair products starting 2021.”

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  • Audrey Tang

    The prime minister now says, “If you keep perming your hair many times a week, it will not damage your pocket, but it will damage your hair.”

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  • Audrey Tang

    It’s serious. In serious cases, you can look like me. You can look at me to see what will happen to your hair.

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  • Audrey Tang

    This is very funny. Actually, most people see this before they see the rumor.

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  • Audrey Tang

    They become vaccinated.

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  • Ima Sanchís

    It’s funny.

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  • Ima Sanchís

    They do this with all the rumors?

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  • Audrey Tang

    Yes.

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  • Audrey Tang

    Every ministry have a team of comedians.

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  • (laughter)

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  • Audrey Tang

    Whenever we see a trending rumor…

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  • Audrey Tang

    …we just make it even more trending humor.

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  • Ima Sanchís

    Is this your idea?

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  • Audrey Tang

    Yeah. I call this mimetic engineering.

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  • Audrey Tang

    Memetic engineering, like genetic engineering. [laughs] I proposed this early 2017 to the cabinet meeting.

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  • Audrey Tang

    The real work is done by the comedians. I’m not a comedian. [laughs]

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  • Ima Sanchís

    Your idea was yours?

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  • Audrey Tang

    Yeah. Sure.

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  • Ima Sanchís

    A great idea.

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  • Audrey Tang

    Thank you.

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  • Ima Sanchís

    How do you combat the…

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  • Audrey Tang

    Interference.

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  • Ima Sanchís

    …interference, the Chinese interference?

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  • Audrey Tang

    For example, we have rumor that says, “Hong Kong people, young people, are paying 20 million to murder a police.”

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  • Ima Sanchís

    The police from where?

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  • Audrey Tang

    From Hong Kong.

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  • Ima Sanchís

    From Hong Kong.

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  • Audrey Tang

    At November last year, they were trying to spread this rumor to interfere with the Hong Kong local election and then the Taiwan presidential election.

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  • Ima Sanchís

    I’m confused.

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  • Audrey Tang

    At that time, the people in Hong Kong were protesting in the street. There was a rumor that says that they are paying young people large amount of money to kill police and, in a way, to discredit the protesters for people in Hong Kong and Taiwan.

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  • Audrey Tang

    The rumor actually have a photo next to a caption that says, “This 13 years old thug bought iPhones by recruiting people to do violence or something.” Taiwan FactCheck Center actually found out the photo was from Reuters, but the Reuters said nothing about paying people.

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  • Audrey Tang

    The photo is from Reuters. It’s a real photo.

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  • Audrey Tang

    The caption is disinformation.

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  • Audrey Tang

    We attributed this to the central political and legal unit of the Chinese Communist Party. This actually originates from the PRC state propaganda unit.

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  • Audrey Tang

    What we did, instead of taking this down, we make sure that every time you see this disinformation on Facebook or on other places, you see a public notice telling you that this is state propaganda from China.

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  • Audrey Tang

    The PRC propaganda is not taken down because that will create more social tension…

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  • Audrey Tang

    …and infringe on media freedom.

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  • Audrey Tang

    Facebook and other large Internet platforms agreed to put a public notice so people know where the source of that disinformation is.

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  • Ima Sanchís

    How do you combat the Chinese interference within Taiwan? Is this within Taiwan?

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  • Audrey Tang

    This is mostly within Taiwan.

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  • Audrey Tang

    They are trying to make Taiwan people not sympathize with people in Hong Kong.

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  • Ima Sanchís

    What did you say again? I’m sorry.

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  • Ima Sanchís

    The Taiwanese received this propaganda?

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  • Audrey Tang

    Yes.

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  • Ima Sanchís

    What’s the objective of this propaganda for Taiwan?

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  • Audrey Tang

    It’s to make Taiwanese people see Hong Kong protesters not as people who are for democracy.

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  • Audrey Tang

    Because the end game of the PRC interference of the propaganda is to make people in the democratic society lose confidence in democracy itself.

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  • Audrey Tang

    If people look at democracy activists and they think only about violence, then their propaganda works.

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  • Ima Sanchís

    What’s happening here in the photo? She doesn’t understand what’s happening.

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  • Audrey Tang

    It was a Reuters photography that says, “A teenage anti extradition bill protester is seen during a march to demand democracy and political reform in Hong Kong.” It’s the original caption by the Reuters.

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  • Audrey Tang

    Sport shoes.

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  • Ima Sanchís

    With what objective? He bought iPhones and…

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  • Audrey Tang

    This was the propaganda that tried to paint the teenagers not as people advocating democracy, but rather people who are paid to do violence, like a thug.

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  • Ima Sanchís

    Sorry. They pay the…

    Link in context Link
  • Ima Sanchís

    What is your dream?

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  • Audrey Tang

    Like last night?

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  • (laughter)

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  • Angélica Guevara

    What is the last night dreams?

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  • (laughter)

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  • Ima Sanchís

    What’s your dream beyond last night?

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  • (laughter)

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  • Angélica Guevara

    Your goal.

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  • Audrey Tang

    Like tomorrow? [laughs] I dream of a transcultural republic of citizens.

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  • Audrey Tang

    Because in Taiwan…

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  • Ima Sanchís

    What does transcultural mean?

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  • Audrey Tang

    It means being able to start from one culture and then grow into another culture, and being able to tell your own life story but from the perspective of another culture, and you can keep doing this. It’s like a freedom to move between country, except it’s between cultures.

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  • Ima Sanchís

    What do you mean by cultures? Are you talking about the world or are you talking about…?

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  • Audrey Tang

    No, it’s just within Taiwan because we have more than 20 national languages.

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  • Audrey Tang

    Like in Switzerland, for example, people speak different languages. They support different football teams. They maybe sing different songs. When there comes a referendum, everybody agree with the process, and through the process, see whatever they’re working with from the lens from the other culture in Switzerland.

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  • Ima Sanchís

    Are you talking about empathy or…?

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  • Audrey Tang

    Yeah, but not just empathy, because empathy, I’m still in my culture when I empathize with another culture. Transcultural means I take the perspective of the other culture.

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  • Angélica Guevara

    Agree in the different countries.

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  • Ima Sanchís

    Your personal dream?

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  • Audrey Tang

    My personal dream is to remain a channel and the space that enable this kind of transcultural conversations to happen. The space within is like, I don’t know, sunlight…

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  • (laughter)

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  • Audrey Tang

    …that enables this kind of conversation across cultures.

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  • Angélica Guevara

    Little sun.

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  • Audrey Tang

    Yeah, the flower, sunflower. [laughs]

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  • Angélica Guevara

    This is the cosmos.

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  • Ima Sanchís

    The prime minister, did this person, think of you, or how did she notice you?

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  • Ima Sanchís

    The prime minister…

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  • Audrey Tang

    Appoint?

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  • Ima Sanchís

    No.

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  • Angélica Guevara

    See you.

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  • Ima Sanchís

    No.

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  • Audrey Tang

    What?

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  • Ima Sanchís

    Targeted you.

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  • Audrey Tang

    I didn’t understand, because we are nominated by the prime minister, but approved by the president. The people elect the president directly. I report mostly to the prime minister, but ultimately to the president. I’ve worked with many prime ministers now, but the same president, Dr. Tsai Ing wen.

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  • Ima Sanchís

    Why did the prime minister choose you?

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  • Audrey Tang

    Back in 2016?

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  • Audrey Tang

    It’s because, at that time, they were trying to find someone that can connect the startup community…

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  • Audrey Tang

    …and a policy making community. They need a cultural translator.

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  • Audrey Tang

    They asked me to recruit such a person, but I cannot convince my friend to join. I give me the job.

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  • Audrey Tang

    I’m doing this for fun.

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  • Ima Sanchís

    Thank you very much. It was a pleasure.

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  • Audrey Tang

    Thank you.

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  • Ima Sanchís

    Thank you.

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